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Glyph Image Sets |
| § 1. Western notations | |
| ¶ Glyph Image Sets per Glyphs Manifest | |
| ¶ Reference sources for neumatic glyphs | |
| § 2. Eastern notations | |
| ¶ Reference sources for neumatic glyphs | |
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1/ Glyph image sets used in visualization of NEUMES data. Definition:
The word 'glyph' does not mean 'neume':
glyphs just are components of graphical presentation.
A glyph can correspond to a neume, part of a neume, or a non-neumatic symbol.
In naming our glyphs, we have 'borrowed' from the names of neumes,
but a crucial distinction must be made
between concrete visualization and abstract representation: for purposes of the NEUMES Project,
glyphs are 'concrete', and neumes are 'abstract'.
[See the 'Data Representation' section of this website for our taxonomy of neumes as logical entities
in transcriptions.]
Technical remarks:
This visualization of glyph image sets is "data-driven" and dynamically generated.
For each glyph image set, the 'raw data' are contained in an XML file, as regulated by an XML Schema.
A single XSL (Extensible Stylesheet Language) Transformation generates the HTML visualization
for all Glyphs Manifest XML files.
This is done anew each time the user clicks on one of the hyperlinks (above), so that
the user is seeing necessarily the most current data.
Dynamic-generation permits also that developers of glyph image sets can see
visualizations of Glyphs Manifest data they are creating offline.
This "data-driven" strategy of software design largely precludes one layer of software
maintenance; viz., separate HTML pages for the glyph image sets do not have to be written and kept current. |
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Glyph forms as written in the Sequentiary of Šibenik Cardine (Gregorian Semiology): MS Laon 239 [filesize, 531 kB] Cardine (Gregorian Semiology): St Gall [filesize, 387 kB] Solesmes (Paléographie Musicale), Aquitanian: Table 1:
virga - porrectus
Table 2:
porrectus praepunctis - salicus
Table 3:
quilisma - salicus flexus
Table 4:
pes subpunctis - scandicus flexus resupinus
Table 5:
liquescents
Table 6:
liquescents (continued)
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Eric Werner (The Sacred Bridge, New York, 1959, p. 415): Comparison of Ekphonetic signs and Hebrew cantillation marks [filesize, 118 kB] |